KARA L. ROONEY
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    • Run From the Shadows
    • Translation (Překlad)
    • reVerb
    • Alters and Reverbs
    • On Moving Farther Away From Speech, or Hindsight is Never Twenty/Twenty
    • Soliloquies for Former Narcissistic Acts
    • Monuments of Language
    • At the Banquet of Alphabetic Form
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Kara Rooney is an interdisciplinary artist and critic working in performance, sculpture and site-specific installation. Language is the driving force behind her work which aims to provide meaningful and distinct encounters between individuals through the creation of built environments, collaboration, poetry and movement. Recent exhibitions and performances include: Galeria Alfredo Ginnocchio, Mexico City, MX; Casul UNAM, Mexico City, MX; Fridman Gallery, NY; TOTAH, NY; Driscoll Babcock Gallery, NY; A.I.R. Gallery, NY; the Chelsea Art Museum, NY; the Montclair Art Museum, NJ; the Pera Museum, Istanbul, Turkey; and El Museo de la Ciudad de México, among others. Rooney is a grant recipient of the Jumex Foundation (2025), Foundation for Contemporary Arts (2020), the DUMBO Cultural Space Subsidy Program (2017 - 2020) and The Santo Foundation (2014).

In addition to her visual work, Rooney has held various positions as an art critic, visiting lecturer, and guest curator, most notably as Artseen Editor for The Brooklyn Rail from 2009 – 2016. Her critical writings have been published in Art in America, The Brooklyn Rail, Hyperallergic and M/E/A/N/I/N/G, as well as included in publications by David Zwirner Publishing, Whitechapel Gallery, London, and MIT Press. Rooney earned her MFA from the School of Visual Arts in 2009 where she serves as a longstanding faculty member and is a former adjunct professor at Rhode Island School of Design. She is the current curator and programming director of CLEA RSKY CDMX. 



EDUCATION                                                                             
School of Visual Arts, New York, NY
M.F.A. in Art Criticism and Writing (2009)


Bates College, Lewiston, ME  
B.A. in Studio Art, minor in Women’s Studies and Feminist theory (2001)

RESIDENCIES                                                                           
2024   Galeria del Agua, Tlaxcala, MX
2018    Palazzo Monti, Brescia, Italy
2016    The MeetFactory, Prague, Czech Republic 

2015    Sharpe-Walentas Studio Program, Brooklyn, NY
2015    La Quinonera, Mexico City, MX
2013    David Wolfe Editions, Portland, ME            
2012    In Perpetuum/Forever, Queens College Art Center, Queens, NY 
2011     Leedy-Voulkos Art Center, Kansas City, MO                   
2003   Lower East Side Printshop, Inc., New York, NY               
2002   MassArt Artist in Residence Program, Bennington College, Bennington, VT
                        
SOLO/TWO PERSON EXHIBITIONS and PERFORMANCES
2023    Poesia en Accion, El Museo Anahuacalli, Mexico City, MX 
2019     Trabajo de Sombra, Nestor Quinones y Kara Rooney, El Museo de la Ciudad de Mexico, CDMX, MX
2018     As Above/So Below, Secret Dungeon Project, Brooklyn, NY
             But For What's My Axis? Part 2. Desire, Fridman Gallery, New York, NY
2017     Group Motivation: Eve Ackroyd/Kara Rooney, Cindy Rucker Gallery, New York, NY
             But For What's My Axis? Part 1. Empire, TOTAH, New York, NY
             Run From the Shadows, HIT Galeria, Bratislava, Slovakia
2016     In Apogee, Berlinskej Model, Prague, Czech Republic
             Translation (preklad), in collaboration with Martin Talaga, MeetFactory, Prague, Czech Republic
              reVerb, in collaboration with Taryn Vander Hoop/Summation Dance, Fridman Gallery, New York, NY
2015     Trace/Matter, curated by Charlotta Kotik, FiveMyles Gallery, Brooklyn, NY  

2013     Soliloquies for Former Narcissistic Acts, Dow Center for Visual Arts, Interlochen, MI
2011      Monuments of Language, Leedy-Voulkos Art Center, Kansas City, MO
2008    Artist of the Month, NJ State Council for the Arts, www.jerseyarts.com
2003    Young Artist Series, Edward Williams Gallery, Fairleigh Dickinson University, Hackensack, NJ
2003    Denouement, Ristra Gallery, Hoboken, NJ

GROUP EXHIBITIONS
2025    Romper el Agua: Artistas en Atltzayanca, Pinacoteca del Estado Desiderio H. Xochitiotzin, Tlaxcala, MX
             Salon Acme No. 12, Mexico City, MX
             Factoria de Nada, curated by Alratito Studio, Mexico City, MX

2024    Retorno a la Luz, curated by Juan Pablo Ramos, Galeria Alfredo Ginnocchio, Mexico City, MX 
             El Acto del Peso (Parte 1), curated by Anna Dusi, Casul Unam, Mexico City, MX 
             Flow 6, curated by Alvaro Verduzco and GPO Maxico for the Venice Biennale 2024, Venice, Italy    
             Bahia, PKB Galeria, Veracruz, Mexico
             QIPO Art Fair, Mexico City, MX
2023    La Piedra en el Ojo, Proyecto Pikaro, Mexico City, MX
​             Punto de Inflexion, curated by Sofia Sanchez Borboa, Casa Eme, Mexico City, MX
 

             QIPO Art Fair, Mexico City, MX 

2022    Places of  Freedom and Containment, curated by Charlotta Kotik, The Galleries at Moore College of Art, Philadelphia, PA
             Metaforma, The Ant Project, Mexico City, MX
             Expedicion al Presente, curated by Gabriela Quero, Articular MX, Mexico City, MX
             CLAVO Art Fair, Mexico City, MX
             Unidades Materiales, curated by David Eardley, Avant Dev Gallery, Mexico City, MX
             Un Instante Entre Dos Tiempos, curated by Rebeca Murrieta, Punto Magnolia, Mexico City, MX
             Currents, with essay by Ketter Weissman and Isaac Alpert, Big Window.org, New York, NY
2021     Nada descansa; todo se mueve; todo vibra, Proyectos Similia, La Quinonera, Mexico City, MX
             CLAVO Art Fair, Mexico City, MX 
             Matter of Distance / Cuestion de Distancia, curated by Guadalupe Garcia, El Instituto Cultural de Mexico en Miami, Miami, FL
             Good Bones, curated by Catherine Haggerty, ILikeYourWorkPodcast.com
2020    Transatlantico, MANA Contemporary, Newark, NJ
             Re/Location, AS Artists Studios, New York, NY
             La Feria de la Accion, Mexico City, MX
             QIPO 02 Art Fair, Mexico City, MX
2019     2020 Flat File Program, Tiger Strikes Asteroid, Brooklyn, NY
             QIPO 01 Art Fair, Mexico City, MX
             Away Message, Sweetpass Sculpture Park, Dallas, TX
2017     Occupy Mana: Artists Need to Create on the Same Scale that Society Has the Capacity to Destroy, Part 1, curated by Rail Curatorial Projects,
             Mana Contemporary, Jersey City, NJ

             Politicizing Space, curated by Charlotta Kotik, Andrew and Anya Shiva Gallery, John Jay College of Criminal Justice, New York, NY
             Past Continuous, curated by Norm Paris and Jackie Hoving, Tiger Strikes Asteroid, Brooklyn, NY
2016    Cosmic Connections, TOTAH Gallery, New York, NY 
             Impressions of Karamay, Karamay Museum of Fine Arts, Karamay, Xinjiang, China
             Time After Time, curated by Jaro Varga and Zuzana Jakalova, Kostka Gallery, Prague, Czech Republic

2015     Dipthong, curated by Gelah Penn and Stephen Maine, Shirley Fiterman Art Center, BMCC, New York, NY 
             Hand/Made:The Digital Age and the Industrial Revolution, Kleinert/James Center for the Arts, Woodstock, NY 
             Cuts Noon Light, Brian Morris Gallery, New York, NY
             Making History, Arts in Bushwick, Brooklyn, NY
2014     SELECT Art Fair, Gallery Sensei, Miami, FL
             The Search, Trestle Gallery, Brooklyn, NY 
             IN-SITE:The Intersection of Art and Architecture, Pierro Gallery, Orange, NJ
             Milk and Night, Sensei Gallery, New York, NY
             In Between Days, Driscoll Babcock Gallery, New York, NY
             The Heroic Object, Parallel Art Space, Brooklyn, NY 
             The Last Brucennial, The Bruce High Quality Foundation, New York, NY
             A 'WomanHouse' or Roaming House?, A Room of One's Own, Today, curated by Mira Schor, A.I.R. Gallery, Brooklyn, NY
             Taking Pleasure, curated by Katherine Mojzsis, Bergen College Gallery, Paramus, NJ 
             Nation II: At the Alamo, Sideshow Gallery, Brooklyn, NY
2013     Come Together: Surviving Sandy, Year I, curated by Phong Bui, Industry City, Brooklyn, NY
             New York Bound: International Bookart Biennial, Islip Art Museum, Islip, NY
             Communication Breakdown, HotWood Arts Center, Brooklyn, NY
             Sideshow Nation, Sideshow Gallery, Brooklyn, NY
             Memphis Social, sponsored by Apexart, Memphis, TN 
             The (UN)FAIR, nAscent Art, New York, NY 
2012     Constructed Ambiguity, City Without Walls (cWOW), Newark, NJ
              Vertical Repose, Panepinto Galleries, Jersey City, NJ
              Discourse News, Friedrich Petzel Gallery, New York, NY
              Soul Seekers: Interpreting the Icon, Trinity Museum, New York, NY
              New Media: New Forms, Montclair Art Museum, Montclair, NJ 
              In Perpetuum/Forever, Queens College Art Center, Queens, NY.
              MIC:CHECK, Sideshow Gallery, Brooklyn, NY 
2011       Florence Biennale, Invitee, Florence, Italy
              Chain Letter, Shoshana Wayne Gallery, Los Angeles, CA
2010      Text/Image, NJ Arts Guild, Rahway, NJ
               Higher Ed, OK Hotel, Seattle, WA
2009     OCTET, Pera Museum, Istanbul, Turkey
               The Wassaic Project Summer Festival, Wassaic, NY
               ArcheTime, Tank Space for Performing and Visual Arts, New York, NY
               Tabula Rasa, Gallery Aferro, Newark, NJ
               Small and Miniatures, Midday Gallery, Englewood, NJ 
2008     Works on Paper, Cuchifritos Gallery, New York, NY
2007      The Feminine Mystique, Jersey City Museum, Jersey City, NJ
               Imagining Ourselves: Beauty and Identity, The International Women’s Museum, San Francisco, CA
2006     Interpretations on Sensuality, Chelsea Art Museum, New York, NY
              Glossolalia, Gallery Aferro, Newark, NJ
              Persona: Personal &Public, Visual Arts Gallery, New York, NY
              Night of 1000 Drawings, Artist’s Space, New York, NY
2005    Women Artists, Midday Gallery, Englewood, NJ
              Postcards from the Edge, Visual Aids Foundation, New York, NY
2004     Decision Point, Midday Gallery, Englewood, NJ
              Encaustic Works, Ristra Gallery, Hoboken, NJ

LECTURES
2025   Visiting Artist, Schneider Museum of Art, Ashland, OR
2024   Visiting Critic, Residency Unlimited, New York, NY
            Guest Lecturer and Visiting critic, NYC Crit Club, New York, NY
2022   Guest Lecturer, SOMA, Mexico City, MX 
            Visiting Critic, Montclair State University, Montclair, NJ
            Guest Lecturer, Truro Center for the Arts at Castle Hill, Provincetown, MA
2021    Kara Rooney + Fausto Palma, Jamestown Art Center, Jamestown, RI 
            Visiting Critic, YellowChair Salon, M. David & Co., Brooklyn, NY 
            NY Crit Club, in collaboration with Yevgeniya Baras, New York, NY
 

2020  The ANT Project, in collaboration with DotFiftyOneGallery, Miami, FL
            
Visiting Critic, M. David & Co., Brooklyn, NY
2019   The Review Panel, hosted by ArtCritical, Brooklyn Library, NY
            
Visiting Critic, M. David & Co., Brooklyn, NY

2018   Visiting Critic, Philadelphia Academy of Fine Art, Philadelphia, PA
2016   Bad Girls and Brooklynites, The Review Panel, hosted by ArtCritical, Brooklyn Library, NY
            Women Art Critics in the Age of the Internet, Ceres Gallery, New York, NY
            Art in the First Person series, School of Visual Arts, New York, NY
2015    A Community of M/E/A/N/I/N/G, Panel Discussion, Museum of Art & Design, NY
            Visiting Critic, Hoffberger School of Painting, Baltimore, MD
            Visiting Critic, SUNY Purchase, Purchase, NY
            The Wolf I Feed, Panel Discussion, Brian Morris Gallery, New York, NY

2014    Upending the 20%, Discussion with Sue Scott, New York Academy, NY
            Ephemeral, Unraveling History, Panel Discussion, Adelphi University, NY
            Art Talk Series, Brooklyn Arts Space, Trestle Gallery, Brooklyn, NY 
            Taking Pleasure, Panel Discussion, Bergen College, Paramus, NJ
            A Womanhouse or a Roaming House, A Room of One's Own, Today, Panel Discussion,  A.I.R. Gallery, Brooklyn, NY
            Thoughts on Joseph Beuys: A Conversation between Joan Waltemath and Kara L. Rooney, Joseph Beuys: Process 1971 - 1985, Rooster Gallery, New York, NY
            Visiting Critic, Hoffberger School of Painting, Baltimore, MD 

2013    Visiting Artist Lecture, Art Forum Series, Montclair University, Montclair, NJ
2012    Constructed Ambiguity, Panel Discussion, City Without Walls, Newark, NJ
2009   The Shift in Consciousness: Orality to Literacy and Back Again, Stony Brook University, Philosophy and Art Graduate Conference, New York, NY   

SELECTED BIBLIOGRAPHY                                                                                                      
2020    "Poesia en Accion," LOCAL, Mexico City, July 2020
2018     "Show of the Day: Group Motivation at Cindy Rucker Gallery," Artnet, January 2018
             “Eve Ackroyd & Kara Rooney: Group Motivation,” by Kaitlyn Kramer, The Brooklyn Rail, Feb 2018

2017     “Run from the Shadows”, exhibition review, Galeria HIT, Slovakia, FlashArtMagazine, Issue No. 41
2016     "Blurred Boundaries and Other Connections," by Thomas Micchelli, Hyperallergic, October, 2016
              “Reprising Postminimalism in 4 New York Shows: Gego, Nasreen Mohamedi, Ruth Hardinger and Kara Rooney,” by Roger Denson, The Huffington Post, April
              “Highlights from the Sharpe-Walentas Open Studios,” ArtInfo, May 2016
2015      “Mining the Invisible” A Conversation with Sara Jimenez, ArtFile Magazine, Dec 2015
              “The Presence of Absence: Three Artists at Brian Morris,” Hyperallergic, July 2015
              “The Artist as Social Entrepreneur,” The Conversation Series by Brett Wallace, LinkedIn, June 2015
               Interview with Gorky’s Granddaughter, March 2015, www.gorkysgranddaughter.com
2014      “Young Americans at Driscoll Babcock Gallery,” Artslant, August 2014
               Interview with Disonare Magazine, www.disonare.tumblr.com
               “A ‘Womanhouse’ or a Roaming House? A Room of One’s Own, Today,” The Brooklyn Rail, Feb 2014
               “Mira Schor Investigates What The Home Means To Contemporary Women Artists,” The Huffington Post, January 2014
2012       “Finding Inspiration in a Borrowed Past,” The New York Times, June 2012          


                
PUBLICATIONS                   
BOOKS
Shifter 25: Waiting, edited by Avram Alpert and Sreshta Rit Premnath, MIT Visual Arts Center, 2021
Tell Me Something Good: Artist Interviews from The Brooklyn Rail, Edited by Jarrett Earnest and Lucas Zwirner, David Zwirner Books, 2017
Materiality (Documents of Contemporary Art series) edited by Petra Lange-Berndt, co-published by Whitechapel Gallery, London and MIT Press, 2015
Luc Tuymans: On&By, published by Whitechapel Gallery, London and MIT Press, 2013

Infinite Instances: Studies and Images of Time, ed. Buzz Poole and Eli Stockwell 
(Mark Batty Publisher, Inc.), 2012
M/E/A/N/I/N/G: 25th Anniversary Edition, edited by Susan Bee and Mira Schor, 2011
The Narrative (R)evolution: A Re-Writing of Ideas in the Interplay of Language, Art and Cyberspace (VDM Verlag Dr. Muller, Germany), 2010         
PERFORMA 07: Everywhere and All at Once, ed. RoseLee Goldberg, JRP|Ringier, 2010

CATALOG ESSAYS
2022      "Heatwave," Heather Gwen Martin: Verse, published by Miles McEnery Gallery, New York, NY
2016       "Stephanie Bernheim: Marking Material," published by Andre Zarre Gallery, New York, NY
               "Judy Rifka: Postpluralist," Judy Rifka: RETROactive, Jean-Paul Najar Foundation, Dubai
2014       
"Process and the Art of Joseph Beuys," Joseph Beuys: Process 1971 - 1985, Rooster Gallery, New York, NY 
               "A Magnificent Obsession," Joann Gedney: Magnificent Obsession, Rox Gallery, New York, NY             
2013       “Emissions: Images from the Mixing Layer,” curated by Ruth Hardinger and Rebecca Smith, Cooper Union Gallery, NY 
               “The Edge of Periphery,” The Works of Jan Sawka, Gallery Aferro, Newark, NJ    
               “Silent Speech and Pulp Avowel,” Paper Goods, Susan Eley Fine Art, New York, NY
2012       “Fictitious Truths: Exercises in Realism,” Fictitious Truths, Rooster Gallery, New York, NY                                      
               “Glitter or Gold?,” Soul Seekers: Interpreting the Icon, Trinity Museum, New York, NY 
2011        “A Game of Faith,” Truc-Anh: CROIRE/DOUTER, Gallerie Quynh, Ho Chi Minh City, Vietnam                              
                “Til Birth Do Us Part,” Vered Sivan, Rooster Gallery, New York, NY            
2009      “Anti-heroism and the Substance of Cool,” Andrew Leo Baron: Real Cool Time, Gallery Aferro, Newark, NJ, 2009


SELECT CRITICAL WRITING
2016     "Mel Bochner and Alighiero Boetti: Verba Volant Scripta Manent," The Brooklyn Rail, April 2016
               "Letter from Cairo. Ibrahim Ahmed: Pressing Fallacies," The Brooklyn Rail, February 2016

2015       "Echo at the Margins: Mapplethorpe +25", The Brooklyn Rail, Dec/Jan 2015
               "In Conversation: Sara Reisman with Kara Rooney," The Brooklyn Rail, October 2015

               "Barbara Takenaga: Nebraska," The Brooklyn Rail, September 2015
               "Leon Golub: Riot," The Brooklyn Rail, June 2015
               "Martha Wilson: Downtown," The Brooklyn Rail, May 2015
                "Labor Intensity: A conversation with Ursula von Rydingsvard and Claudia Comte," The Brooklyn Rail, March 2015
2014        "Leveling the Playing Field: A Woman's Market," Whitehot Magazine, Dec 2014
                "A Feminist Response: Gender Games and the Art Machine," The Brooklyn Rail, Sept 2014
                "Jeff Koons: A Retrospective," The Brooklyn Rail, July/Aug 2014
                "Kara Rooney in Conversation with Kara Walker," The Brooklyn Rail, May 2014
                "Report from Mexico City," The Brooklyn Rail, May 2014
                "Brian O'Doherty: Connecting The...", review of works at Simone Subal and P! Galleries,  The Brooklyn Rail, April 2014
                "Alfredo Gisholt: Canto General," review of works at the CUE Foundation, The Brooklyn  Rail, March, 2014
                "Woong Kim," review of works at Richard Henry Gallery, The Brooklyn Rail, Feb 2014
2013        “The Summer is Over,” a Q+A with Luc Tuymans, Art in America online
                 “Rita Ackermann’s Blue Period,” review of works at Hauser & Wirth, Art in America online
                 “Art as Citizen: A Conversation with Creative Time Reports,” The Brooklyn Rail
                 “Winning the Race: Ken Price Drawings,” review of Ken Price at The Drawing Center, Art in  America online
                 “do it (outside),” review of works at Socrates Sculpture Park, The Brooklyn Rail
                 “Joan Waltemath: The Dinwoodies,” review of works at Schema Projects, The Brooklyn Rail
                 “James Turrell,” review of works at the Guggenheim Museum, The Brooklyn Rail
                 “Aldo Tambellini: We Are the Primitives of a New Era,” review of works at James Cohan  Gallery, The Brooklyn Rail
2012        “Shedding the Second Head,” an interview with Saya Woolfalk, Hyperallergic.com
                “The escape from the banal everyday life to the world of the real,” review of works at  NURTUREart, The Brooklyn Rail
                “Riot is the Language of the Unheard,” review of speech acts at Cooper Union, The  Brooklyn Rail
                “Janet Cardiff and George Bures Miller: The Murder of Crows,” review of works at the Park  Avenue Armory, The Brooklyn Rail
                “Fresh For(u)ms: Garden Party/Arts,” review of the Brooklyn based project, GP/A, The  Brooklyn Rail
                 “Kara Rooney in Conversation with Jim Leedy,” interview with artist Jim Leedy, The  Brooklyn Rail
                “Nathalie Djurberg and Hans Berg: The Parade,” review of works at New Museum, The  Brooklyn Rail
                 “A Letter on the Subject of Ritual,” The Brooklyn Rail
                “Eyes on the Edge: A Studio Visit with Franklin Evans,” Review of works at Sue Scott  Gallery, The Brooklyn Rail
2011        “Dana Schutz: If the Face Had Wheels,” Review of works at the Neuberger Museum, Brooklyn  Rail
                “Katharina Grosse: One Floor Up More Highly,” Review of works at Mass MoCA, The Brooklyn  Rail
                “Nicola Tyson,” Review of works at Friedrich Petzel Gallery, The Brooklyn Rail, October
                “Mary Ann Unger: Geometry,” Review of works at Maxwell Davidson Gallery, The Brooklyn  Rail
                “David Wojnarowicz: Spirituality,” Review of works at PPOW Gallery, Brooklyn Rail
                “Winter @ The Kitchen,” Review of works at The Kitchen, The Brooklyn Rail
                “The Slow Ascent: Death and Resurrection of the Art Fair,” The Brooklyn Rail

CURATORIAL PROJECTS
2024   Pablo Arellano, Florescencia, CLEA RSKY CDMX, Mexico City, MX
            Mariana Parisca, Potencias de Diez: Sobre la Riqueza de las Naciones, CLEA RSKY CDMX, Mexico City, MX
            Christian Becerra: Todo lo Sagrado se Profana, CLEA RSKY CDMX, Mexico City, MX
            Renato Ornelas: Rara Avis, CLEA RSKY CDMX, Mexico City, MX
2023   Enrique Minjares Padilla: Grey-Things From Mexico, CLEA RSKY CDMX, Mexico City, MX
            Natalia Gaia: Fuego En El Ghetto (8'37"), CLEA RSKY CDMX, Mexico City, MX 
            An Hour is Not An Hour: Cuando llueve me dan so se que las estatuas, 1979, CLEA RSKY CDMX, Mexico City, MX
            Marcos Castro: El Ultimo Vuelo de la Cumbancha, CLEA RSKY CDMX, Mexico City, MX

            Valentina Diaz: Una Imagen Formada Por La Descomposicion de la Palabra Que Nombra La Imagen, CLEA RSKY CDMX, Mexico City, MX
2022   Alfonso Zarate: Reinterpretar Todo Lo Que Creamos Saber, CLEA RSKY CDMX, Mexico City, MX
            Galia Eibenschutz: 719 Pasos, CLEA RSKY CDMX, Mexico City, MX
            Lucia Hinojosa: Oscila Sonora/Cables Acrosticos, CLEA RSKY CDMX, Mexico City, MX

            Alvaro Verduzco: Inter/Active, CLEA RSKY CDMX, Mexico City, MX
            Cerrucha: El Arte Es Trabajo, CLEA RSKY CDMX, Mexico City, MX
            Andrea Bores: Norte Oriente / Sur Poniente, CLEA RSKY CDMX, Mexico City, MX
2017    Triad: Yevgeniya Baras, Mike Cloud, Zachary Wollard, FiveMyles Gallery, Brooklyn, NY
2014    Joseph Beuys: Process 1971-1985, Rooster Gallery, New York, NY        

2013    A ≠ A, Panepinto Galleries, Jersey City, NJ                           
            Paper Goods, Susan Eley Fine Art, New York, NY                         
2012    Fictitious Truths: Exercises in Realism, Rooster Gallery, New York, NY                      
            MATERIAL TAK, Panepinto Galleries, Jersey City, NJ   
            Kylla Kylla, Panepinto Galleries, Jersey City, NJ

AWARDS
2025   Jumex Foundation, Mexico City, MX
2020  FCA Emergency Grant, Foundation for Contemporary Arts, New York, NY
2017   DUMBO Cultural Space Subsidy Program recipient, Two Trees, NY 
2015   Smackmellon Hot Picks Artist, Smackmellon.org

2014   Individual Artist Grant recipient, The Santo Foundation

PROFESSIONAL AFFILIATIONS/RELATED WORK EXPERIENCE
Curator and Programming Director, CLEA RSKY CDMX, Mexico City, MX
Editor Emeritus/Contributing Critic, The Brooklyn Rail, Brooklyn, NY             
​
Faculty, School of Visual Arts, New York, NY; Rhode Island School of Design, Providence, RI


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  • Home
  • Series and Performances
    • Desire Line
    • Poesia En Accion / Accion Poetica
    • Trabajo de Sombra
    • But For What's My Axis
    • Run From the Shadows
    • Translation (Překlad)
    • reVerb
    • Alters and Reverbs
    • On Moving Farther Away From Speech, or Hindsight is Never Twenty/Twenty
    • Soliloquies for Former Narcissistic Acts
    • Monuments of Language
    • At the Banquet of Alphabetic Form
  • Installation Views
  • Works on Paper
  • Biography
  • Press
  • Links
  • Contact